Thesys step seq1/16/2024 ![]() ![]() Put some steps on their own audio channel and apply different effects or processing to them, like long reverbs or bitcrushing. Once you’ve generated your sequence, don’t stop there! Try bouncing it to audio, throwing it into a sampler or audio editing track in your DAW, and start chopping: slice, mute, reverse, re-pitch individual steps. The fun part is that you can surprise yourself as you experiment with tweaking parameters and adding different settings to random steps as you play back your sounds on a loop. When you combine this capability with novel sound sources like drums, foley, atmospheres and other FX, you can warp sounds into new and unexpected shapes. Step sequencers enable you to come up with combinations of note pitches, pitch bends, timing and filter settings that you would never really think to program in a piano roll or other type of MIDI editor. ![]() For sound design purposes, we can use step sequencers and envelopes to come up with incremental, evolving sound processing that we wouldn’t have thought of doing using more conventional, manual approaches. The method feels, in some ways, closer to traditional computer programming than conventional musical “playing” or performance but because of the radically different approach, it is also the mode of creation that underpins techno and other futuristic music that melds human feeling to robotic grooves. The thing step sequencers and envelope generators have in common is that they both operate on the principle of dividing up time into a series of equal slices or “steps” and applying different values to each step separately.
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